Review: Hip-Hop Journey Mixtape Volume 1

%E5%98%BB%E6%B8%B8%E8%AE%B0Mixtape%20Vol.1%20Cover.jpgIn a genre that, perhaps more than any other in music, is driven by overt egos and self-worship, when a record opens with the words "Chinese hip-hop — a long way to go", you have to worry a bit about what will follow. This bluntly honest statement from Shanghai rapper BlaKK Bubble at the start of Hip-Hop.cn's new downloadable mix-tape is at times proven to be painfully accurate on this free release, but there are also some highlights.

China's hip-hop scene is certainly still in its infancy, but Hip-Hop Journey Volume 1(or 嘻游记 in Chinese, a clever play on Journey to the West's Chinese title, 西游记) showcases some of the names that are at its forefront. As on last year's mix-tape from Beijing based hip-hop collective thePark, Young Kin shows that he is one of China's hottest rap properties with two tracks — the better of which, 庆祝 (Celebrate) with regular collaborator DJ Wordy, in particular demonstrates his impressive delivery. The aforementioned BlaKK Bubble provides two tracks which, despite some excruciating English moments, are toward the top of the pile in terms of quality and other bright spots come courtesy of Kloudz's Hey Now and the Xi'an Elite Rappers' 受够 (Enough).

Unfortunately, there are also some reminders of why China isn't exactly seen as a hip-hop powerhouse. A brief freestyle from Kirby Lee, whose group Dragon Tongue Squad were largely derided for their gig in London last month, is pretty lacklustre, while the hoarse shouting of 醉人 (Zui Ren), far from being intoxicating, is hardly listenable.

Overall, the record is solid rather than ground-breaking and is generally pretty short on innovation — if it's a Kanye West of the East that you're after, you won't find them here. Nevertheless, it does provide a good window onto China's fledgling hip-hop scene and shows that the country could have some genuine talent in the genre. If groups like The Notorious MSG have made the idea of a Chinese rapper something of a joke, then the artists on this mix-tape go some way toward redressing the balance. If Chinese hip-hop is to really evolve properly however, it needs to bring something more original to the table, rather than attempting to mimic American performers. To this end, artists like Kunming rapper 唐人踢 (Tang Ren Ti) are ahead of the game, taking a more innovative approach, with some great results.

Listening to Hip-Hop Journey Volume 1 meanwhile, it seems that there really is a long way to go for Chinese hip-hop.

More information (in Chinese) and download available here.

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Comments (12) [rss]

If Chinese hip-hop is to really evolve properly however, it needs to bring something more original to the table, rather than attempting to mimic American performers.

Why even talk in these terms? Within the American scene there are also artists who churn out the same-old as well as artists like the Wu Tang who are known for innovating.

Are American acts who do nothing 'original' mimicing American acts?

If Tang Ren Ti is doing something fresh then it means there is a certain amount of innovation in the China Scene ... the scene is small too. In the states how many Wu Tangs or Kaynes are there?

I'll have to check out Zuiren ... sounds a bit like one of my faves ..The Ol' Dirty B*stard ... RIP.

You'll lose all of your teeth from cavities listening to that crap.

Not a hip-hop fan?

I am, and in that respect, thanks for the post Jake.

Kanye West is innovative?

user-pic

Well, he is the only one sampling French electro-disco.

Anybody who has ever heard much non-American hip-hop will start talking in these terms. For whatever reason, empirically speaking, non-Americans just can't do the hip-hop formula. It sounds more funny than anything. The best non-American hip-hoppers are have a unique or highly localized interpretation.

Kanye is a great producer and College Dropout was fun, but I agree with Huacha that it's kind of strange to hear him referred to as innovative. What are his innovations?

The best non-American hip-hoppers are have a unique or highly localized interpretation

Fjio

Can you give us an example of this ... like, name one or two and say how they are 'localized'?

Andy

user-pic

Andy - I'm not Fjio, so this is my opinion only, but I'd point to Hong Kong's own (and now sadly broken up) LMF and UK rappers like The Streets and Lady Sov.* None of them try to re-create American beats or posturing, but instead use lyrics and beats to create a soundscape that is undeniably HKG or the UK.


*Yeah I know some would categorize them as grime or some other hip hop subculture, but it's beats and rhymes, ya dig?

I would second T regarding The Streets, and add Roots Manuva, K'naan, Mos Def (also a solid actor), and 'empirically speaking', large chunks of the Wu Tang corpus.
Can't forget the better moments of the Beastie Boys, but we can barely say they're innovative.
Being from New Zealand, I'd also add a shameless nationalistic plug for Che Fu and King Kapisi.

Jazz is the teacher, funk is the preacher.

I'm going to DL the tape and give it a proper listen. Anyone else got it? What did you think?

user-pic

You would think if you're kiwi, you'd plug the Hip-Hopopotamus and the Rhymenocerous

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