Soma speak: "We want a livehouse revolution"

dream on.jpg Recent shows have got people talking about whether Shanghai needs another dedicated live music venue in addition to the city's current home of rock Yuyintang. Soma seem to think so, but their decision to make a deal with the owners of Zhijiang Dream Factory has caused waves in the local music scene and some fairly heated debate.

Pang Pang, one of the men behind the label, recently spoke to Shanghaiist about Soma's plans for the Dream Factory and the ensuing controversy.

What stage is the deal at between Soma and the Dream Factory at the moment? What are the exact details of the arrangement?

I hope you can understand it's difficult for me to reveal the exact details, as this is a confidential business agreement. What I can say is that our agreement is only confined to Friday and Saturday. The rest of the time, whatever shows the Dream Factory put on have nothing to do with us.

We've invested RMB1.2 million in sound and lighting equipment for the shows that we will put on because we know a lot of Chinese bands don't have access to decent equipment on a regular basis. We want this quality to start a livehouse revolution in Shanghai. Of course, other companies or individuals are welcome to cooperate with us.

But according to several sources, you're planning to charge an upfront fee of RMB 15,000 or will demand a 50-50 split on ticket revenues for use of the space by other promoters. Is this true?

Of course RMB 15,000 is not our final price - it may be less, it may be more. We can only make a decision according to each situation and proposal. If another company wants to use the Zhijiang space, they can talk to us about renting our equipment or they can make their own arrangements. If you look at the equipment that we've put in, the actual market price for renting it should really be around RMB 25,000.

So far, we've only spoken to one company about using the space and we know that previously, they've had to spend a lot of money on bringing in their own equipment and then had to pay Zhijiang a fee for use of the space as well. What we're offering includes all the equipment and the other fees. In fact, if you compare it to what you had to spend before, we're actually offering a deal that is less than half price what it was before because we've already invested in the equipment. If you've studied maths you can calculate it yourself!


How do you respond to criticism that your arrangements will cut out other promoters?

Such accusations are irresponsible.

Won't your plans put you into direct competition with Yuyintang?

There will doubtless be many stories about the future relations between ourselves and Yuyintang. But we think that Yuyintang will always have a reason to exist and we feel that the atmosphere of the two places will be different. Fans and bands will have more choice this way and that's the natural law of the market. We hope that we will be able to coexist happily with Yuyintang.

Do you believe there is a big enough audience in Shanghai to regularly fill the Dream Factory?

At the moment, it's very difficult to hold a rock show for more than 400 people in Shanghai and occasionally there are several shows with in excess of 400 people attending. It's hard to allow such a situation to continue and so we want to respond to the development of the market and achieve our vision.

We're talking to local mainstream media about cooperating with them and are going to set up a number of ticket offices in the city's universities. The purpose is to allow more people access to this music.

Perhaps we'll spend all our money and get out quickly from Zhijiang (which would be good news), perhaps we'll create a professional livehouse, or perhaps we'll open a new livehouse elsewhere.

In the meantime, what are your plans for the Dream Facotry?

Our ultimate plan was for a complete transformation of the Dream Factory - the environment, the sound, lighting, stage, low-priced drinks - making it a specialised livehouse. But we were unable to agree on this plan with the Dream Factory so we made our current arrangement. Hopefully it's just the start of something and will lead to greater cooperation. Whatever happens, I think the biggest beneficiary will be the fans.

Initially, we plan to do a weekly show and turn the Dream Factory into a proper livehouse with regular gigs. We've already got a couple of shows lined up for May and things are in the works for June. The Zhijiang space has just been sitting empty a lot of the time - they don't put on their own shows - and so we wanted to change this by putting on our own shows there.

Will the new arrangements preclude the IndieTop bands from playing at other venues?

Actually, if you look at the bands on the first IndieTop compilation, you'll see that only a few of them are actually signed to our label. We don't have any say in where these bands choose to play their gigs.

Incidentally, if I can sneak in a quick advert, the second compilation will be out in the summer and will have a more international indie sound to it.

How do you feel about the controversy that your arrangements with the Dream Factory has caused?

My main feeling is that things haven't really started yet. I feel a bit like Big Brother is watching us. But it's not the government, who we are used to opposing rock shows, it's people who are afraid of losing their own interests. Right now, I feel like I'm in the police station having to patiently answer a bunch of questions that I really don't want to answer. Still, for the sake of Soma's reputation, I seriously accept this trial.

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Comments (11) [rss]

Cheap drinks make all the difference...

it's good this guy has come out said something, but there's a definite smell of BS.

1.2 million for 2 nights a week? seriously?

plus, if it's now half price how come all those other guys are saying it's double and are so angry about it? if it was really half price, surely they'd all be supporting this?

i studied math at high school and this guy's answers don't add up

doesn't even sound like there'll be cheap drinks - that was their original plan but they're not doing it now, right?

Pangpang feels like big brother is watching him and he's down a police station. How dare those music fans and scene organizers have opinions!

This interview is all very well except for one point:

Point one: It's all utter BS.

However, not much point trawling it up again etc. So i'll only use existing information as a quick taster.

In fact, if you compare it to what you had to spend before, we're actually offering a deal that is less than half price what it was before because we've already invested in the equipment. If you've studied maths you can calculate it yourself!
The deal in question raised Splitworks overall costs for a show at DF 150%: as said here
How do you respond to criticism that your arrangements will cut out other promoters?

Such accusations are irresponsible.

There are no accusations, it's a fact. The three Straight Oota Canada shows, including the Stills/Mushrooms gig, have given up on Dream Factory and will now show at the smaller Yuyintang. I know this for two reasons. First the Stills show deal is how the original figures for the first post came out and secondly, here's the new schedule.

I have info that utterly demolishes the rest of this ridiculous pile of tripe too but i'm not at liberty to speak for anyone other than myself. In fact, that's the reason i'm commenting at all: The quotes about the rates being half price and the 'accusations' being 'irresponsible'are calling into question mine and Jake's original posts - which are valid and based on facts and strong independent sources.

Finally, for those that may point to one or two DF shows going on, such as Get in the Van 3. That's a pre-arranged show who's original pre-Soma deal is being honored.

Thanks Andy. I felt it was only fair to publish Pang Pang's comments, however, that doesn't mean that i endorse them. As you say, I didn't see the point in trawling it all up again, but the existing information you've linked to here certainly seems to cast serious doubt on Soma's comments.

@Steve_C I think Andy's argument above answers some of your questions

@Jason_Sch I think Steve's right. The cheap beers were part of the original plan that didn't get agreed upon. If DF still run the bar, the high prices will stay


I guess this makes us all irresponsible

I've nothing personal against Soma. I won't be posting on this again at the blog.

I just feel I have to answer direct attacks on the facts of the article. In this case they are strongly sourced.


Let them charge what they want, it's their business. They'll find out soon enough if the rates work.

Loving the controversy, and I hope this guy is genuine about the plans to develop the Dream Factory in the right way.

It's ok that they want to annoy all the other promoters and screw them, and alienate some of them music fans. And of course they have to come out saying big numbers, grant plans, amazing goals (look at how amazing we are). However this (what precieved as) backstabbing move does annoy quite a few people and just when you think everyone's in the music scene in SH is working together, they do something like that. This is all ok, but come out and admit so, admit this is a strategy.

and you know what, by tit for tat, next time I can screw you just as bad, if not more, and I get to do the same thing, "oh no it's for the good of the music scene! we'll make the music scene in SH better!" Soma will get no sympathy from me if it fails.

What's the difference between that and if, say, if the Chinese government screws over Soma and say "oh no it's for the good of China", and then make some claims about making China better.....strategy, it's all strategy

Was at Yuyintang this weekend for RE-Tros, and while once again, the show was great, a band like that needs a much BIGGER venue. People could hardly move in there, including myself. We'll see how crowded it is again when No Name comes back to YYT.

As for price of beer, that's not much of a concern for me, considering I go to these places for music, not for booze.

The guy stepped up, cut his deal with the venue, so now if you want one of his nights you have to pay him. Sounds fair enough to me, what are the other self-promoters whingeing about? If you have a good event to stage, then negotiate with him, else try another venue. I remember slightly less ire over the closing of CBGBs. The only thing funnier is the hypocritical foreigner complaining about all the other foreigners at the shows. And yeah, it was way more than 40% in Battles, despite the, um, survey?

Pangpang: Get rid of the losers sitting on the stairs to the main room. Annoying, unsafe, and I'm going to boot them in the head on my way to & from the men's.

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