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We pretty much knew, even before we stepped into the theater, how this film was going to play out among the critics: more ›

There's a definitely a buzz for fans of Chinese cinema with the release of Jia Zhangke's new film Still Life 《三峡好人》. In Shanghai and probably the rest of China, the film's theatrical release comes on December 14, the same day that Zhang Yimou's new film Curse of the Golden Flower. And while from the standpoint of the box office returns, it seems pretty clear who the winner will be, Jia doesn't at all seem flustered by the lackluster box office performance that his film has seen in the limited screenings that have happened over the last few weeks. more ›

It may be the pariah for self-respecting filmmakers (and film buffs) everywhere, but if it’s true that there’s no business like show business, then, the Oscars are anything but irrelevant. Case in point: The recent announcement that China will have not one, but two of its own submitted for consideration in the crapshoot otherwise known as the Best Foreign Film category. Of course, it never hurts when you’re able to find a loophole in the system. For all intents and purposes, the would-be blockbuster The Banquet should be represented by the mainland -- it features one of China’s most beloved (and commercially successful) auteurs in Feng Xiaogang, while starring Chinese megastars Zhang Ziyi and Zhou Xun. So how come it ended up as Hong Kong’s submission? Well, the catch is that The Banquet is a Hong Kong-China co-production, which means those of you who were pulling hard for Johnnie To backed the wrong horse. more ›